Podcast interview with Diablo Social about ballet, axe throwing, and institutional inequality

In this episode, Edward talks with Sarah Farnsley, a creative specialising in ballet - as a dancer, choreographer & director that has taken her from the US to Germany, London and Paris with world-class companies and venues, including performing at the Royal Albert Hall. Sarah is rare - she’s a creative that’s business-savvy too, which lends itself to an excellent conversation that covers: process, diversity, dance politics, gender balance and expectations, behind the scenes of large productions & within the industry. Enjoy!

Spotify >> https://open.spotify.com/episode/1rhfgXwuIjxBIGECqNf4eA

Soundcloud >> https://soundcloud.com/user-811417766/the-creative-process-business-of-ballet

Stitcher

Photo credit: Ballerina Project UK

Photo credit: Ballerina Project UK

Metro - Chop Careers Down to Size

When I have a male customer who is struggling to hit the target, it’s not uncommon for one of his mates to yell, “You throw like a girl!” I usually turn around and respond, “No mate, if he threw like me he’d be a lot better.”
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Indianapolis dance company joins forces with Emmy-winning filmmaker for a short dance film

Watching these talented dancers pour their hearts into my choreography while wet and cold (and) knowing that Stirling admired my piece enough to build this whole production around it was one of the most gratifying and fulfilling moments I’ve ever experienced as an artist, and one that I hope to be able to re-create in the future.
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